Keep an eye on his his site and the Wooster Collective for updates of his road trip.
via Wooster Collective
Some great work from photographer Dean Belcher. I particularly love this shot of a DJ interacting with his fans in a sweaty nightclub.
We picked this book up earlier in the week. A fabulous collection of seven hundred Penguin book covers from Britain and around the world, celebrating the different penguin styles from over the years. Designed by David Pearson it employs a simple approach of illustrating 1 cover on each page.
Face to Face - 1970, designed by Grant Grimbly
In Cold Blood - 1970, designed by David Pelham
Brain Damage and the Mind - 1973, designed by Omnific/Philip Thompson
Killer in the Rain - 1966, photograph by Bob Brooks
The Catcher in the Rye - 1970
Old Ladies Noggins
This afternoon I noticed these 2 signs on the window of a local pub. They have the same message (almost), they are both black and white, both set in full caps and both the same size. The only difference is the font. But it’s a big difference. It changes the essence of the message completely. This is why choosing a typeface for your message is so important. It is your tone of voice, it can give your message the impact it needs or it can dilute it completely.

Maybe I'm oversimplifying this advertising lark, but something jumped out at me when I got handed a copy of the London Lite 'newspaper' tonight. The front and back cover, and the inside covers, were emblazoned with the bold advertising message "See the world. Visit London."