Showing posts with label Brands. Show all posts
Showing posts with label Brands. Show all posts

Brand Porpoise - Don't Get left Behind

If there's one thing we've learned about marketing and advertising over the last few years, it's that there are no shades of grey or nuances of approach when it comes to marketing – at any one time there is only one right way to do things, and everything else is old-fashioned, or dying. Now, this blind absolutism may seem extremely stupid, but hey, who are we to judge? Once a new fad starts to snowball, everyone wants to get in on the act. Pages and pages of copy are written and published daily by the marketing press on the fad, blog posts from eminent marketing twonks, tweets and hashtags aplently follow, plus, obviously a couple of people do speaking tours, and write books about it. Maybe you'll even get a whole conference dedicated to it, with people tweeting the sage advice about the fad. The aim, obviously being to work towards the moment when every brand in the world is doing exactly the same thing all the time. What a utopia!

Well, recently we have cottoned on to the fact that it is now impossible to be a brand in 2017 without having a porpoise. Yes, forget having a good product that people might want to buy, or a better service than your competitor. Forget solving a problem for the customer, in fact fire all of your product development staff, your engineers, fuck it, lay off the entire workforce – all you need to succeed is a porpoise. And that porpoise doesn't even have to be related to what your product or service is – you just need any old porpoise.

But why take a chance with your porpoise, when we can help you define your perfect brand porpoise with our unique Porpoise Definement Methodologizer (TM obviously)? We can find the perfect porpoise for your brand. But don't take our word for it – here are a few we've already done (everyone loves a case study don't they? Even if they might have been perfectly relevant solutions for the particular brand in question, but of fuck-all relevance to anyone else – if it worked for one client once, well surely it's right for every client in every category, right? That's the beauty of blind absolutism utopia!).

Here's the brand porpoise we recently found for airbnb...


It's name is Cuddles. Since we found airbnb's porpoise, things have really taken off for them. They don't have to worry about boring things like cost and convenience, or choice. They have cuddles.

Here's another brand porpoise, this time one we found for uber-cool taxi-driver disemploymentizing service Uber...


Uber's brand porpoise is a friendly little porpoise called Flipper. Now don't write in saying that Flipper is an unimaginative name – that just shows how little you understand about blind absolutism utopia. The point isn't to be original, the point is to just have a porpoise. And what a beauty it is!

Now don't be fooled into thinking that a brand porpoise is just for fancy-crazy new tech startups. No. Remember. It is right for everyone. Every brand. To demonstrate this, here are two brand porpoises (yes, that is the correct plural, sadly) that we found for functional, supermarket products. Here you can see them side-by-side, as you might in any supermarket aisle...


Now, before you write in and say Hold on, won't this be a tad confusing for the poor old punter? Two completely different brands, with quite different products that each have different functional qualities having what appear to be quite similar porpoises? We'll stop you there. Maybe you just don't get it yet? It doesn't matter. Every brand, to be successful these days, needs a porpoise. Don't argue. It says so in that marketing article online, and in that new book by that trendy bloke, and in loads of tweets and conference speeches. However, obviously defining or finding your brand porpoise isn't easy. Obviously. Obviously it takes a LOT of work, charts, presentations, worshops, away-days, idea-storms and brainsplooges to define a brand porpoise – all of which we can charge you through the nose for help you with.

And it pays to go to the experts. Take this for example...


To the untrained eye, that might look like a potential brand porpoise. But no. That is just a common-or-garden aquatic mammal. Don't make this mistake or your brand is destined to languish in the backwaters of the brand ocean for the next century. Come to us and we'll burn through hundreds of costly man-hours over the next twelve to eighteen months which our holding company accountants will give us hefty bonuses for help you work out exactly the right brand porpoise you your brand. And we'll maintain and feed it...


This is a picture of us feeding Coco-Cola's brand porpoise. Their porpoise is called Happiness. A bit twee, granted, but you know, when they're paying you this much it works, it works, right? This is where having an expert agency on-hand is vital – because a lot of people think that brand porpoises eat fish. In fact, a brand porpoise feeds on delusion. We have to keep them well-fed with delusion, with a bit of healthy misinterpretation on the side. We do a lot of research to make sure we have all the delusion we need to keep your brand porpoise looking great. Some silly people used to think that Coca-Cola's massive success was due to them being available on every street corner, constantly advertised to reinforce association with refreshment and taste, highly distinctive and having worked its way into becoming a product intertwined with American popular culture. But they could not be more wrong. Obviously their success is based on Happiness, their friendly brand porpoise.

To help people understand, we have – obviously – created a diagram: The Anatomy Of A Brand Porpoise...


Please feel free to use this in your next meeting.
Don't get left behind.
Don't be a dinosaur.
Don't be different to any other brand.
Don't get caught with some stinky relevant dolphin.

Get yourself a brand porpoise.

We can help.

I've Told You A Million Times... Stop Exaggerating*

Many advertising and marketing people have unrealistic notions of how people relate to brands.

Some believe their brand is different to other brandspeople really do love it. Crazier still are those who expect people to fall in love with their brand before they’ve even bought or used their product.

This fashionable idea of ‘brand love’ doesn’t reflect the real relationship that most people have with brands. Selecting most products and services is not a massive deal to most people, and certainly not a life-defining moment as sometimes depicted by deluded advertising agencies and ‘brand gurus’. The idea of ‘emotional relationships’ with brands driving buying behaviour has largely been proved to be a myth.
“Most of a brand’s customers think and care little about the brand, but the brand manager should care about these people because they represent most of the brand’s sales.” Professor Byron Sharp, How Brands Grow (Oxford University Press).
Even those customers who repeatedly buy from your brand most likely do so out of simple habit and the product delivering on their needs. Contrary to the moonshine widely peddled by many branding and advertising ‘experts’, it’s not because of some strong emotional bond.

When we exaggerate the role that the brand plays in people’s lives, it leads to self-important and phoney advertising. People are smart enough to realise this and know when they’re being patronised.

This is an excerpt from our new book ‘How To Make Better Advertising and Advertising Better – The Manifesto for a New Creative Revolution’ – available exclusively at the Design Museum.

*With apologies to The Young Ones 

Revisited: The Problems With 'Content'

It's one of the top buzzwords of the last couple of years. It seems everyone in marketing and advertising is constantly crapping on about 'content'.

Clearly, it suits agencies and production companies, because they get to make more stuff, and making more stuff earns them more cashola. And what agencies and production companies love more than anything is cashola.

And it suits a lot of clients, because they get to make something that people (theoretically at least) choose to watch. A lot of clients are in love with the idea of people 'loving' their brand (even though the notion of punters loving brands has largely been proved to be nonsense) so the idea of people choosing to watch their stuff seems very attractive. Plus, it seems (on the surface of it) like they will save loads of money on media.

All good right? Errr, right.

There are two not inconsiderable issues with content:

1 – Why on earth would someone choose to watch it?

2 – So someone watched it. Now what?

So, issue 1. The minute that you decide to make something that relies on people choosing to watch it, you're in competition with everything in the world that someone might choose to watch instead. You're in the content business. I don't make the rules, that's just how it is. If you're asking me to choose to watch your one minute, two minute, or god forbid, thirty minute piece, why should I choose to spend my time doing that rather than watch something that Pixar made, or that HBO commissioned, or an old episode of South park, or a video of a cat playing the piano? Why should I, why will I, watch it? Does it have some vital information that I cannot live without? Is it more entertaining than the best that TV companies, film companies and various talented ne'er-do-wells can muster? If you can answer this question well, you're a huge step in the right direction. If you're answer goes something like "Er... because there's a cat in it..." or contains the words "Hack" or "Tips" you might be in trouble already. A lot of agencies get around this fundamental problem through the practice of 'seeding'. What seeding really is is paying for opportunities for people to watch the content. This very common. When you are seeing brand videos suggested to you on youtube, for example, you are seeing a paid for space. So when an agency boasts about the five million views that its latest piece of content for brand X gathered, more often then not, those view were bought, yes, just the same as if they were bought on TV. Except that on TV no one brags because the audience actually watched the ad, that's taken for granted. And it's not quite the same, because TV is a linear format – if you start watching a commercial, it's more than likely that you'll see the end of it. Whereas, as I'm sure you'll recognise from your own behaviour, with content, you don't always finish watching what you start watching.

So that's issue 1. Quite a biggie. I'm not saying it's impossible to achieve natural, organic large viewing figures, but you have to have the answers to those questions. And they have to be good answers.

On to issue 2. So we got people to watch your content. Now what? The problem comes because largely to make the content watchable (see point 1) the makers tend to leave out things that viewers don't like (or that they think viewers don't like), like commercial messages, products, reasons to buy, strong role for the product or service, strong branding or attribution etc. and just make something that is entertaining. Now, even though that's the case, many of these pieces still aren't up to the level of broadcast content, but we'll leave that to one side. So someone watches your content that doesn't really relate strongly back to why they might choose to buy or use your product or service. What happens next? Are you hoping that because they watched it, they are going to like you more? And that liking you more is going to make them hand over their hard-earned cash in exchange for your product? I've got some bad news for you. Studies show that people's buying habits are not strongly influenced by their attitude towards your brand, rather it happens the other way around – people's attitudes are more shaped by what they buy. So what exactly is the value of that amazing kitten video or dancing baby film that you got them to watch?

And that's issue 2. Where does your content fit into the process of buying decisions that your customer makes? Be honest, and don't be tempted to kid yourself.

When brands become producers of content, there is a tendency to measure success by how many people watched it. But as we've seen, these views can be bought, and the value of those views is up for debate. So often the number of views is simply a proxy measurement, it measures something that is not necessarily of any actual use or relevance to the business, or proof of effectiveness.

And it makes brands and companies become obsessed with things that they don't need to become obsessed about. As the manufacturer of loo roll you should be obsessed about making good loo roll and being good value, and making sure that people know this. As a brand of chocolate bar you should be concerned with being a good chocolate bar and making sure that customers know why. The last thing you should be spending your time obsessing about is ratings. There are whole established giant industries full of highly-paid experts built purely and single-mindedly on the rabid pursuit of better ratings, and working out how to get more viewers. There are very few movie producers or TV comedy writers being distracted from their primary purpose by worrying about how to make a four-ply roll or a more velvety chocolate.

Of course, as with anything, there are the brilliant exceptions. And they are hypnotically impressive when they happen. They, in fact, keep the cycle going. Like the weekend golfer who keeps coming back because of the one great shot they hit every round. A hundred brands commission content based on the one brilliant exception.

The problem is, of course, that everyone promises the brilliant exception, and everyone imagines that their particular piece of content is going to be the brilliant exception.

Content is the height of fashion right now. And in marketing, something being en vogue is a rarely a good reason alone to do it (often quite the opposite). But, if you're tempted, for God's sake make sure you go into it with your eyes wide open, and that someone, somewhere, has good answers to these two points.

First Published on this blog 27.01.15

Channel 4 Rebrand By DBLG/Squa & 4Creative

The Channel 4 rebrand was launched this week. Our good mate Steve Qua (Squa) has been beavering away on this for months. The project was a collaboration between Steve and Grant Gilbert at DBLG who were originally invited in by Channel 4 to pitch an idea for the rebrand. Their concept was rather than ditch the current 4 logo, to go back to its original form, and use the blocks that it is made from to create interesting visuals and films, and as a jumping-off point for other directors and creatives to work from.

“The new identity covers the on air design system, all moving parts of the Television channel. The Channel 4 logo is a very famous one in the UK. So messing with it or changing it didn't feel right, they wanted to find out how many different ways they could present it on air. The OSP and opticals aren't just promos with a logo tacked on the end, they are the channel they're the bits that tell you when your favourite show is on, and the bits that tell you its an ad break so you can go have a cup of tea. These elements that play out dozens of times every day are now free to be playful, surprising, dynamic and ever changing.”




The guys brought in Neville Brody to design unique fonts to reflect the new direction. Channel 4's in-house agency 4 Creative worked with director Jonathan Glazer to create striking film idents, which feature the blocks existing in nature (from 45" in below)...


It's a strong body of work all round. Hats off to Steve and Grant for pitching a brave, left-field concept for such a big and high profile project, and to them and all of the team at DBLG and 4 Creative for making it happen, and of course hats off to Channel 4 themselves for going with such a brave idea. Good to see brave work out there.

Let Us Help You Define Your Brand Porpoise

If there's one thing we've learned about marketing and advertising over the last few years, it's that there are no shades of grey or nuances of approach when it comes to marketing – at any one time there is only one right way to do things, and everything else is old-fashioned, or dying. Now, this blind absolutism may seem extremely stupid, but hey, who are we to judge? Once a new fad starts to snowball, everyone wants to get in on the act. Pages and pages of copy are written and published daily by the marketing press on the fad, blog posts from eminent marketing twonks, tweets and hashtags aplently follow, plus, obviously a couple of people do speaking tours, and write books about it. Maybe you'll even get a whole conference dedicated to it, with people tweeting the sage advice about the fad. The aim, obviously being to work towards the moment when every brand in the world is doing exactly the same thing all the time. What a utopia!

Well, recently we have cottoned on to the fact that it is now impossible to be a brand in 2015 without having a porpoise. Yes, forget having a good product that people might want to buy, or a better service than your competitor. Forget solving a problem for the customer, in fact fire all of your product development staff, your engineers, fuck it, lay off the entire workforce – all you need to succeed is a porpoise. And that porpoise doesn't even have to be related to what your product or service is – you just need any old porpoise.

But why take a chance with your porpoise, when we can help you define your perfect brand porpoise with our unique Porpoise Definement Methodologizer (TM obviously)? We can find the perfect porpoise for your brand. But don't take our word for it – here are a few we've already done (everyone loves a case study don't they? Even if they might have been perfectly relevant solutions for the particular brand in question, but of fuck-all relevance to anyone else – if it worked for one client once, well surely it's right for every client in every category, right? That's the beauty of blind absolutism utopia!).

Here's the brand porpoise we recently found for airbnb...


It's name is Cuddles. Since we found airbnb's porpoise, things have really taken off for them. They don't have to worry about boring things like cost and convenience, or choice. They have cuddles.

Here's another brand porpoise, this time one we found for uber-cool taxi-driver disemploymentizing service Uber...


Uber's brand porpoise is a friendly little porpoise called Flipper. Now don't write in saying that Flipper is an unimaginative name – that just shows how little you understand about blind absolutism utopia. The point isn't to be original, the point is to just have a porpoise. And what a beauty it is!

Now don't be fooled into thinking that a brand porpoise is just for fancy-crazy new tech startups. No. Remember. It is right for everyone. Every brand. To demonstrate this, here are two brand porpoises (yes, that is the correct plural, sadly) that we found for functional, supermarket products. Here you can see them side-by-side, as you might in any supermarket aisle...


Now, before you write in and say Hold on, won't this be a tad confusing for the poor old punter? Two completely different brands, with quite different products that each have different functional qualities having what appear to be quite similar porpoises? We'll stop you there. Maybe you just don't get it yet? It doesn't matter. Every brand, to be successful these days, needs a porpoise. Don't argue. It says so in that marketing article online, and in that new book by that trendy bloke, and in loads of tweets and conference speeches. However, obviously defining or finding your brand porpoise isn't easy. Obviously. Obviously it takes a LOT of work, charts, presentations, worshops, away-days, idea-storms and brainsplooges to define a brand porpoise – all of which we can charge you through the nose for help you with.

And it pays to go to the experts. Take this for example...


To the untrained eye, that might look like a potential brand porpoise. But no. That is just a common-or-garden aquatic mammal. Don't make this mistake or your brand is destined to languish in the backwaters of the brand ocean for the next century. Come to us and we'll burn through hundreds of costly man-hours over the next twelve to eighteen months which our holding company accountants will give us hefty bonuses for help you work out exactly the right brand porpoise you your brand. And we'll maintain and feed it...


This is a picture of us feeding Coco-Cola's brand porpoise. Their porpoise is called Happiness. A bit twee, granted, but you know, when they're paying you this much it works, it works, right? This is where having an expert agency on-hand is vital – because a lot of people think that brand porpoises eat fish. In fact, a brand porpoise feeds on delusion. We have to keep them well-fed with delusion, with a bit of healthy misinterpretation on the side. We do a lot of research to make sure we have all the delusion we need to keep your brand porpoise looking great. Some silly people used to think that Coca-Cola's massive success was due to them being available on every street corner, constantly advertised to reinforce association with refreshment and taste, highly distinctive and having worked its way into becoming a product intertwined with American popular culture. But they could not be more wrong. Obviously their success is based on Happiness, their friendly brand porpoise.

To help people understand, we have – obviously – created a diagram: The Anatomy Of A Brand Porpoise...


Please feel free to use this in your next meeting.
Don't get left behind.
Don't be a dinosaur.
Don't be different to any other brand.
Don't get caught with some stinky relevant dolphin.

Get yourself a brand porpoise.

We can help.

Ego

Look at us.
This is our vision.
This is our purpose.
At [brand], we believe...
We'll tell you how to live your life.
We'll tell you what you're doing wrong.
We'll tell you what wrong with society.
We are a brand.
And we're not afraid to overestimate our importance.

Sausages.

TellUsYourStoryItis

One of the most wretched diseases of current advertising and marketing is the highly contagious TellUsYourStoryItis.

This is the condition where deluded marketers and advertising types expect normal people to share their story or experiences of using the product - or even some tenuously related activity.

Suffice it to say that these things are generally extremely unsuccessful. That's because they are based on a deluded notion – that normal people care as much about brands and products as marketing types do.

Well sorry to say, they don't. The notion of people having an emotional attachment to brands that influences their buying decisions has been largely disproved.

But this doesn't seem to stop marketers and agencies from imagining that people have nothing better to do than share their story about bleach or apples.

Some mischievous soul has put together a tumblr of these bonkers campaigns – Tell Us Your Story – have a look through if want a laugh at someone else's expense – or if you're ever tempted to do one of these campaigns yourself treat it as a warning.

See also Brian's Open Letter To All Of Advertising And Marketing

Building Real Brands: The Difference Between Building A House, And Painting A Picture Of A House.

The latest in our best of the blog series...

Much of advertising and marketing has developed into the study of brands. But are marketers and advertising people over-obsessing about brands?

That's possibly a controversial statement I realise, the kind of statement that is often met with You just don't get it or pitying shakes of the head. Because obsession with brand is the 21st century advertising and marketing business.

But whilst I totally agree that a 'strong brand' - a brand with positive associations and that people trust or believe in - is important, I'm not so sure I agree with the current thinking of how they are built. 

Marketing and advertising people, and 'brand consultants' increasingly measure things like the above; trust, positive associations, etc. - the kinds of things that cumulatively tend to be known as 'brand saliency'. That might be a useful barometer of where the brand is at, but it's only one half of the story.

People outside of marketing departments in client companies understandably get twitchy when those things become the sole measure of marketing or advertising success. After all, they're used to measuring things like growth, profit margin, market share and 'gasp' - sales.

The trouble is, when people become over-obsessed with the measures of brand saliency and related soft measures, these are then often subsequently taken to be the 'end game' - brand saliency becomes the ultimate aim, rather than a useful barometer. Brand saliency becomes what people call a 'false proxy' - something we can measure, but that in itself isn't actually success.

What do I mean by that? Well, good advertising and marketing people are well aware that strong brand saliency and business success tend to go hand-in-hand. There is a strong correlation between brands with a strong image and positive associations, and brands that are commercially successful and strong in their category.

The big mistake being made by marketing, advertising and branding professionals is in the blanket assumption that the brand saliency was the cause of the business success, and not simply a correlation.

That is to say - doing well the things that build commercial success, also tends to build alongside it a strong brand. While there are exceptions to this line of thinking on both sides (brands with strong saliency that go out of business, and brands with poor saliency that are commercially successful) in the era of the cult of brand, the assumption and belief from marketing, advertising and branding professionals is that this purely happens one-way - that strong brand saliency causes commercial success. But I'm not so sure it always happens that way around.

So what happens next in their line of thinking is, these people have decided that to build a commercially strong brand, you need to use your advertising to build saliency. And if you want good saliency measures as results, you put in stimulus designed to increase them. So the obsession becomes with 'brand' and its attributes, personality, emotions, trust - the soft measures.

Today, most branding experts and advertising experts alike will tell you that your marketing and advertising budget should be spent building these things. But in effect they are often just 'gaming' the system of measurement ("Yay, look our saliency is great!"). Not actually brand building.

Unfortunately this a very 21st century type of problem. Much like a lot of current popular culture, it's all about facade and light on the substance. But whilst it's fine for a modern pop star or slebriddy to have a fleeting, mayfly-like moment in the sun, we expect the money we spend on building a brand to have a lasting, commercial effect.

Just like vacuous celebrities, building a brand 'outside-in', image first, isn't very robust. And just like celebrities, those with some actual substance and robust foundations (in the case of celebrities, read 'talent') at their heart will outlast and endure.

The 21st century approach to brand building is like the wannabe pop star who, noting that Tina Turner wears high heels and a sparkly dress, spends all their time at the mall, working on their outfit.

In this industry we spend a vast amount of time studying successful brands. When you look at the strongest and most enduring brands, it's clear that most have what we would consider to be strong brand saliency.

But what is often dangerously overlooked in this era of the cult-of-brand, is that their success has often been built over time by people buying, and continuing to buy – and use, and be satisfied with, that brand's product or service.

And that, in turn, that good saliency we can observe and measure in those successful brands, has been generated by that continued purchase, use of, and satisfaction with, those brands' products and services.

Those are very robust foundations. And often, when we observe the saliency of these brands, we don't realise that that saliency wasn't created by the things we now call 'brand building', it was built by promising and delivering something of substance.

It's easy to overlook the fact that often the marketing and advertising that built those strong brands was used to communicate why people would benefit from the product or service of that brand, and reminding them to use it.

To (badly) paraphrase Bob Hoffman, people grow to 'love' those brands because they buy those brands' products (and are satisfied with them), they don't buy their products because they love the brand.

So when you take a step back, we might ask ourselves if where marketing and advertising people are going wrong, is that they have the causes and effects mixed up.

That in a world where all categories and products are different, where reasons and impetus for buying are different - complex combinations of rational and emotional reasons - that the blanket assumption that the best way to build strong brands, is by using the advertising for brand-building - attitude pieces, rebrands and emotional, please-like-us brand-led advertising, is possibly a little naive. And maybe, an extremely bad use of a lot of valuable budgets.

That, in effect, it's like the difference between building a house out of bricks, mortar, wood and nails – or painting a picture of a house.

In advertising agencies of the 21st century, people seem to be spending an awful lot of money painting pictures.

Maybe those advertising budgets should be used to actually build instead?

First published 29.01.2014

Brand Bullshit Week

An up and down week for brand bullshit this week. On the upside, Bob Hoffman takes the brand bullshitters to task in two excellent consecutive posts, the second of which brilliantly eviscerates Kevin Roberts' complete misunderstanding of what has made Apple successful. On the downside, we find a national newspaper mindlessly regurgitating a thinly-veiled agency promotion in the guise of misguided brand-nonsense survey. There's so much wrong with that survey, the premise behind it, and the assertions made on the back of it, it could easily absorb most of my day pulling it apart. So I won't. But here are just three quick bullet points:

- The whole premise of people 'loving' or 'hating' brands, and that in turn influencing their buying behaviour, is completely misguided. It's this very start point that's leading to so much bullshit and wasted money in advertising. If you are tempted to disagree with this point (and I suspect many in advertising and marketing might) why not treat yourself to a little read of some of Professor Byron Sharp's work.

- Conflating political parties and consumer brands is fucking nuts. Idiotic. Thinking of political parties as brands is the kind of shit that has got politics into the horrible state that it's in. They are ideologies, the approaches of which, people can genuinely (and violently) agree or disagree with. The idea that people have the same kind of relationship with political parties as they do with a brand of sandwich spread is beyond fantasy. This idea that 'everything is a brand' and everything a brand problem, is a moronic plague on our times.

- Let's just take the headline 'hated brand' (not including political parties) - Marmite. For christ's sake, do these people understand nothing? At least Marmite themselves, and their agency thankfully understand people's relationship with their product. The publishers of this survey clearly don't. People's 'relationship' (if you'll excuse the word) with Marmite is with the spread, the product, Marmite. Not the brand. Some people like the taste of it, some people dislike the taste of it. I really dislike it (I'd be in the 'hate' part of Marmite's excellent advertising slogan), I feel neither here or there about the 'brand'. In fact I don't mind it. They appear to know their product, and their advertising normally has charm and wit, and doesn't treat me like a moron. I'm fine with the 'brand' Marmite. I will never buy the product however, because I don't like it.

I'm going to stop myself there for my own sanity (and I have work to do). All I will say is, if you're a business owner or a marketing person, and your agency thinks that people's buying behaviour is influenced by their attitude towards your brand, and their solution is (inevitably) some brand advertising - for the love of god, get yourself a new agency, pronto.

It's Been Emotional


I have been wondering lately about brands, and the things people in branding and the like say about them - like what they are and how they build them. I love that don’t you? They always say “we build brands.” But do they?  Anyway I had these thoughts and I have to confess that I haven’t torture tested them, so be my guest. #youjustdontgetit

I have often heard it said that people buy brands due to their emotional attachment to them. You have probably heard similar. If that is so and people buy things that aren’t much different from other things due to their emotional attachment to the brand, aren’t we (Advertising) skirting around a con game of emotional manipulation?

Reader, what brands do you buy that are discernibly different from an own label brand; be it ketchup, beans, mango chutney, bread or ice cream? Do you believe that those items you buy that are branded are qualitatively different from own label items? Or are you falling for their emotional branding?

If branding and marketing people are out there blabbing about how brands use emotional messaging in books, blogs and lectures then won’t people catch on and change their buying behaviours?  A bit like once you know how an optical illusion works you don’t fall for it over and over and over again.

So, if brands are more keen today to get people emotionally engaged with their products in some way (because this is deemed the best thing to do, over say - telling people why your product is actually better than other makers for some reason or another), won’t it all end in tears?

If brands give up on being superior in some practical or tangible way, won’t own brands start to eat away at their market share?  There is an article here on the recent growth of own label products and a Mintel report hereI’m sure that some of that growth is due to current recessionary pressures.  But some of it is also due to the rising standard of own label products too. And so I wonder once those consumers have made a behaviour change to buy an own label product and it stacks up on taste for example, will they go back to branded items?

See I think many of today’s brands have a good story to tell, regarding why they really are better. If they stop telling those stories, be it in a charming and imaginative way, they may end up losing market share to own labels.

Added to this is the trend of own label products copying brand leaders style of product packaging. So in-store it is harder to be distinctive. 18% of Which? members said “they've deliberately bought an own-label product because it resembled a branded one...of those, 60% said they did so because the own-label was cheaper, while 59% wanted to try it to see if it was as good as the branded product.”
A Which? spokesperson said: “Own-brand products can provide good value and several have topped our tests to become Best Buys.
The very reason for my initial wondering, was that I just bought some Waitrose own brand shower gel at the bargain price of £2 for 2. I think it is as nice if not nicer than Molton Brown’s that cost £18 a bottle. And yet I confess I wouldn’t be best pleased if I got own label shower gel as a Christmas present whereas I would be if I got the Molton Brown stuff.

It's been emotional.

Dove Story

I asked a question in a recent blog post about how Field and Binet in their research differentiate between an advert being emotional or rational. Because in some cases they cite ads as being emotional that seem to me to contain reason / rationale or product benefits.

I think Dove is a case in point.

This post is in response to Martin Headon’s blog post challenge. There needs to be much more debate on this area of advertising and so I thank Martin for that - although I reckon we kind of agree to be honest. Frustrating isn’t it?

Although the ad for Dove that Martin drew our attention to here certainly has no product benefit in it, I think the overall award-winning campaign for Dove that focuses on women and beauty does. I’m not sure the ad that deals with shyness is indicative of Dove’s 2004+ campaign to be fair, although clearly part of it.

The Dove ad campaign in question features what you might call every-day women and it talks about what beauty really is. That must be reason enough for a beauty product aimed at every day women, no?

I think there is reason there albeit not as much as it used to focus on say in 1996 here. However, we still see campaigns by Dove post 2010 that returns to product benefit for deodorants here and a product demo here for soap. Not that I love these ads by the way.

There are two areas that I’d like to talk about concerning Dove.

Firstly how it came about as a product and how much of the heavy lifting in terms of growth in market share up to 2004 was done with a different form of reasoning what some may call rational messaging or product demos of sorts.

Within that hopefully I cover Martin’s point – “Perhaps when your competitors are closing in, and your product no longer has a rational point of difference, making an emotional but relevant connection with consumers is the only way to carve a distinctive platform for your brand.”

Secondly there is an arena that Dove and Unilever has stepped into that I really do not agree with which is brands becoming agents of social change.

The history of Dove as documented here on AdAge, which I quote throughput this piece, is fascinating. A patented product up until 1991, Dove started as a soap for soldiers in WWII, then attempted to become a dishwashing liquid in 1965 and failed, note not all brand extensions work.

A major boost came in 1979 when Unilever seized on a report (rational info) that Dove irritated skin less (due to its PH of 7) than other soaps, they used this info to help sell their products.

By 1986 Dove was the #1 soap in the US, so lets not think that Dove just arrived in 2004 this was a big brand already.

Another interesting fact, in 2004 - 25% of Dove Soap users did so because they were recommend to by their GP. Not a bad recommendation I’d say. And I’d wager people would still say they use Dove for this very reason - so why would advertising choose to ignore these selling points?

The real market share battle began in 1991 when Dove’s patent expired and they went head to head with Oil of Olay (another WWII product invention now owned by P&G) who could now discover Dove’s secret ingredient. Why were P&G interested in Dove’s active ingredient? Surely they of all people should know that people buy emotionally - couldn’t they just build a stronger brand - why did they feel the need to get all rational about soap?

All through the 90’s P&G and Unilever were battling it out, Oil of Olay took the lead back for a while and so on and so forth.

The battle really took off with successful brand extensions all through the 90’s. It seems that Dove took one direction and Olay another after 1996. Dove went for deodorants, shower gels, facial cleaners and shampoo and conditioners. Olay went for facial cleansing, face cream, skin hydrating and anti aging lotions although still having ranges of soaps and gels too.

The other massive success of Dove was going global with its range of products and being one of the largest marketing spenders in the Unilever portfolio. The steepest growth occurred between 1998 and 2002 according the article. Does that mean that much of its success was built on Dove marketing its product benefits to a worldwide market prior to 2004?

So although Dove grew by the numbers Martin mentions $2.5bn to $4bn between 2004 and 2014 cited here I don’t know if that is a lot or not, seems a lot doesn’t it?  In 10 years revenues grew by 62.5% but not its steepest growth to date.

I also will never know if it would have grown more or less if it had stuck with its more rational style product benefit campaign? And why does Unilever continue to push rational messaging at all? Will they bother inventing better soap? Surely it’s cheaper to push brand messages than look at product development that takes years and years?

Having said that my biggest bugbear with the campaign is that it has become a crusade by Unilever and I think it is disingenuous campaign and is beginning to show signs of flagging, see here.

The Dove campaign moved into the territory of getting involved with social issues of low self esteem in young girls (see here) as well as for women with its patches ad / content here, attempting to position themselves as an agent of change. 

All this despite the fact that it appears that Dove has in fact used photoshop in some of its ads, see here. Not to mention Unilever are simultaneously okay with Lynx and Axe ads featuring women like this, or selling skin whitening creams in India, like this. It’s as if they only really care about the money, and I’m more okay with that in fact than I am with their attempt to position themselves as opposers of women’s demeaning portrayal in the media / advertising.

More and more brands it seems wish to become agents of social change, not content with providing great products, which they are, they seek to fill a gap that seems to exist in current western societies. 

I’m far from convinced that brand owners are the right institutions for dealing with the ills of modern society, but making deodorants that last longer or soaps that are neutral ph are more than okay with me. I think they should be proud of their products and develop more and tell us why, albeit in interesting, entertaining and surprising ways.

There will always be unanswered questions. But hopefully I have made a valid attempt to answer Martin’s challenge?

My take is that I don’t think Dove as a campaign is devoid of reason, talking about beauty and women seems congruent with their product range. Also I think understanding a brand’s positioning in context is helpful, in order to understand how it got to where it is. Often its original reason / benefit helped them grow market share. 

Hats off to Peroni




















Looking at this giant poster it's apparent that Peroni have started making hats.

Just the thing to quench one's thirst on these humid and sticky days in the city.

I can just imagine the Powerpoint charts that exist to justify this approach as positioning Peroni as a chic, fashionable and premium lager that appeals to both men and women ['it's a fashion brand not a lager brand...'] but I can't help feeling that they's forgotten the most vital ingredient. The beer.

And they don't seem particularly bothered about emphasising the brand's Italian heritage either [and I'm not talking about the fact that it's most often sold with pizza in a certain high street restaurant chain].

We've banged the drum a lot about the product vs brand confusion that's plaguing modern advertising but plaudits must go to whoever got paid real money for making this campaign without an idea. Must have taken ages in creative development before the Eureka moment happened after they alighted on this scamp in the review session.



















Fair play though, it's a campaign that can run and run as these 'hot off the press' next executions amply demonstrate.




























































































Hats off to everyone involved.

Thinner Than A Slice Of Cake Served In A Yorkshire Teashop

Paddy McGuinness has never struck me as a man burdened by an overflow of good material. And to his credit, he doesn't appear to let that worry him. After all, he's managed to get through seven (yes, seven) series of Take Me Out with a single joke.

But this video reveals something new. A chink in the armour of Paddy's previously impenetrable front. There is definitely something in the eyes that gives away that he's thinking what we're thinking - namely that the material in this is thinner than a slice of cake served in a Yorkshire teashop.

So this is Branded Content, is it? The brave new world of advertising. The thing that people like The Drum, the Sunday Sport of advertising news, keep crapping on about.

 

And the worst thing is, there's more of it. What were they thinking?

Here is the news again, for all of those brand loonies, brand managers and me-too marketing idiots: people don't care. They don't care about your brand, they don't care about what you care about, and they certainly don't give two shits about your crappy debate.

Has Advertising got a Linda Problem?

What if I told you that  - I am a forty something male, who enjoys films, believes in freedom of thought and the reasoning of mankind and I instinctively disliked the Nobel Prize winning, best selling book, Thinking Fast and Slow by Daniel Kahneman? 

Which of the following two alternatives is more probable?
1. I work in advertising.

2. I work in advertising and I dislike modern planner’s strategic hyperbole.

All will be revealed.

Why is the advertising industry jumping on today’s fashionable thinking that human behaviour is without reason? That a brand’s advertising should solely illicit emotions from it’s viewers, as people buy on feelings alone? When didn’t advertising jump on a bandwagon, you may well ask.

The idea today that human behaviour is fated is fashionable again in modern societies. Just like it was for the Roman or Greek philosophers where the Gods controlled their world. We were all in their hands.

Today, instead of the Gods, more sophisticated arguments to prove ‘determinism’ (which is a less dogmatic sounding word than fate) are put forward by cognitive scientists, behaviourists, neuroscientists (and brand planners). In fact stick neuro in front of any word today and you’ll get heads nodding In agreement. Neuro-planners anyone?

Their list of biases (list bias included) that determine human behaviour grows everyday.  Apparently we don’t make decisions with reason. Daniel Kahneman, similarly to Plato with his reason v emotions,  points out our brain has two system for thinking about decisions. System 1 is lazy, instinctive and prone to error, and although system 2 is more reasoning, it is slow and hard graft, burning up energy faster than Lewis Hamilton's Formula One car.

So system 2 just post rationalises system 1's instinctive knee jerk feelings.  The problem is that system 1 is poor at making choices, as it bases decisions on gut-feelings,  inferring cause and effect where there is none. So system 2 just confirms the instinctive decision of system 1. Or at least so it goes.

Of course there aren’t really two systems in the brain but many, as Kahneman states at the beginning of his book. Although, like any film with an opening scene of the protagonist going to sleep as the film ploughs along, we forget about that part till the end nears. Then we are finally reminded that it was all just a dream. But with Kahmann there is no such reminder that, far from their being two systems, there are many, containing billions of neural pathways.

In fact, dividing the brain up at all can be misleading. Very little is really understood about the brain, what with it being the most complex thing in the known universe. But we’ll get there I am sure (using science and reason, noticeably).

Like the cinematic trick I think at times Kahneman is a tad of a trickster too. He has started with a theory as all good scientist do and then tried to find the data. As Darwin noted he had the theory framework, he now needed the data. The data proved his theory right. 

Some scientists refuse to admit they work like this, but they do. You have to start somewhere. Richard Feynman was crystal clear on this - you start with an idea / hypothesis, then you try and prove it. If you can’t prove it, it’s wrong.  But that was physics and this is social science which is a more slippery fish.

As Kahneman will tell you, people don’t like being wrong, so guess what they do? They make their theories fit, especially in social behaviour studies. You can fiddle to make anything fit near enough. Especially when it fits to fashionable thinking. Is Kahneman prone to a confirmation bias? Makes you think, doesn’t it?

One way to prove that people are a bit thick is to give them trick questions. You probably know the sort. Kahneman specialises in them.

One of his classic well-discussed problems is called ‘The Linda Problem’ that goes a bit like this:

Linda is 31 years old, single, outspoken, and very bright. She majored in philosophy. As a student, she was deeply concerned with issues of discrimination and social justice, and also participated in anti-nuclear demonstrations.
Which of the following two alternatives is more probable?
1. Linda is a bank teller.
2. Linda is a bank teller and active in the feminist movement.
Rationally, statement 2 cannot be more likely than statement 1, as 2 is a subset of 1, but 85 percent of respondents said that it was.
Kahneman argues that in making this kind of judgment we seek the closest resemblance between causes and effects (here, between Linda’s personality and her behavior), rather than calculating probability, and that this makes statement 2 seem preferable. It’s called a ‘conjunction fallacy’.
There are loads of versions of this problem touting conjunction fallacy. Today people never grow tired of showing how clever they are by showing how dumb others are.  If there is a kick to be had today pointing out human biases forms the basis of it.

And as everyone in planning departments knows, people are FAPS (thick as pig shit) and this be proof, if proof be need be. If they can prove that clients and their customer are dumb they win. Kerching.

Back to the the Linda problem, I instinctively knew it was designed to trick.  All I had to do now was to find the data.

The problem is actually a wording issue. The word probable means something different in everyday language compared to mathematically speaking.

So the answer is to reframe the Linda problem so it is easier to answer:

Linda is 31 years old, single, outspoken, and very bright. She majored in philosophy. As a student, she was deeply concerned with issues of discrimination and social justice, and also participated in anti-nuclear demonstrations.
There are 100 people who fit the description above. How many of them are:

1.  Bank tellers

2.  Bank tellers and active in the feminist movement too

Guess what happens to the results? Yep, the conjunction fallacy disappears – far more participants now choose 1. (90%)  over 2.

This would be a better lesson to learn for the advertising industry, clarity of communication counts, rather than people’s lack of reason or their stupidity.

Although me reframing the problem may not be necessary, because guess what, you have learned the trick and so you will be unlikely to fall for it again. 

Other problems that Kahneman sets are similarly problematic, rather than proving that we are dumb and unreasoning. Some show that we don’t have a firm grasp of probability for example. Nothing that a few rounds of playing poker wouldn’t solve I reckon.

The problems posed in Thinking, Fast and Slow are often not in understandable terms. Needing a firm grasp of maths at times, more than anything else. Yet, instead they infer we act on system 1’s instincts that lead to bad decisions being made.

The problem with tricks, including those used in advertising, is that they don't last long. Once the audience knows them, it’s game over.

Remember the two parallel lines that look different lengths but aren’t? Did you fall for that a second time? Even when the optical illusion endures, you now know they’re not the same length, so your reason over-rules system 1.

Or guessing which is the heaviest a kilo of gold or a kilo of feathers, did you fall for that twice? What about, would you rather, run a mile, jump a stile or eat a country pancake?

My point is that far from being dumb we learn from our mistakes. Trick me once, fool on me, trick me twice, go on then. Three times, what is the matter with you?

If you want to prove people are gullible go for it, you’ll have no end of successes, but so what? What next?
“Hey look your laces are undone.”
“No they’re not.” 
“Tricked yer.”
“Blimey, you’re tedious.”

People will stop trusting you -  that is what the end result will be.

This is of interest to advertising. Tricks don’t last long because they get revealed. People don’t like being tricked by advertising, eventually it erodes trust. And trust in a brand, and what it says, is important.

The question in advertising should be, what do viewers want to get out of advertising?

If your advertising is tricksy, for example playing on people’s emotions in irrelevant ways, once people find out your trick they rebel, kick back and shame you with your disingenuous intents, and so trust is broken.

This is why advertising that solely targets people’s emotions will have its day. Its intentions are unworthy and far from being informative and entertaining, it is manipulative and verging on a confidence trick.

And as people learn what purely emotional advertising is doing, far from getting them to love your brand, they’ll despise it. “How dare you”. they’ll say “Who are you to say you sponsor our Mums (P&G), or to help us Find True Happiness (Coke) or broker World Peace Day (Unilever)? You’re as a probable moral agency of change as David Hasselhoff.”

However, not all is lost, because these companies are pretty good at inventing nifty products.

How about they crack on and create great products? We’ll buy them if they fit into our lives and you give us a reason to buy. Albeit demonstrated entertainingly or charmingly as ads trip into our living rooms during half-time or before I watch a film at the cinema, or in between the pages of my newspaper, quid pro quo.

If I want to find your products make sure I can find you on google, if you sell your wares online. But don’t follow me around with your online ads you weirdos.  That’s just creepy and we hate you for it, start learning, because we are.

In closing, we all make mistakes, we all have our shortcomings, we are neither robotic or zombies. But reason is central to progress and learning. And even if you disagree with me you’re going to have to use reasoning to do it. You can't put together a solely emotional argument and if you do you lose, remember when you lost your cool in that pub chat, you lost right there.

As to my initial Linda style problem at the beginning, what do you reckon, am I answer 1. Or 2?

I think you should have a bit of trust in your own reasoning, and that is a good place to start. Then you’ll find it easier to trust in others. So what if you are wrong now and then, I just called out a Nobel Prize winner, what do you think the probability of me being right is?